"The merits of this book are several and decisive. First of all it shows a solid and comprehensive grasp of Solzhenitsyn`s work in its entirety and the huge body of criticism it has fostered, from books to articles and from political statements to reviews and debates in various media. Second, the ambition of making a reception study that redefines the field and, at the same time, exemplifies it through an investigation of a vast and complex material is innovative and represents a real scholarly achievement. Third, the comparative and interdisciplinary approach is organically embedded in the chapters in their detailed readings, and documents Elisa Kriza`s capacity to master a differentiated use of the vast material."-Svend-Erik Larsen, Professor of Comparative Literature, Aarhus University
Kriza gives an exhaustive account of the stages and odd steps this strange `dance Western intellectuals were forced to perform with Solzhenitsyn after they progressively discovered the deeper and less attractive aspects of his outlook. Patrick Madigan, The Heythrop Journal, 62, no.1 (2021)
