A Washington Post, San Francisco Chronicle, Financial Times, Library Journal, LitHub, and Kirkus Reviews Best Book of the Year
[Murakami] is as masterful as ever at building an intricate narrative and keeping his audience in suspense. Killing Commendatore is both a testament to the transformational power of art and a cautionary tale on the dangers of exploration. Houston Chronicle
A spellbinding parable of art, history, and human loneliness. O, The Oprah Magazine
Expansive and intricate . . . touches on many of the themes familiar in Mr. Murakami s novels: the mystery of romantic love, the weight of history, the transcendence of art, the search for elusive things just outside our grasp. The New York Times
Eccentric and intriguing, Killing Commendatore is the product of a singular imagination. . . . Murakami is a wiz at melding the mundane with the surreal. . . . He has a way of imbuing the supernatural with uncommon urgency. His placid narrative voice belies the utter strangeness of his plot. . . . The worldview of Murakami s novels is consistent, and it s invigorating. In this book and many that came before it, he urges us to embrace the unusual, accept the unpredictable. San Francisco Chronicle
Beguiling. . . . Murakami is brilliant at folding the humdrum alongside the supernatural; finding the magic that s nested in life s quotidian details. . . . His prose is warm, conversational and studded with quiet profundities. He s eminently good company; that most precious of qualities that we look for in an author. We trust him to get us entertainingly lost, just as we trust that he ll eventually get us home. The Guardian
Exhilarating. . . . Only in the calm madness of his magical realism can Murakami truly capture one of his obsessions, the usually ineffable yearning that drives a person to make art. The Washington Post
Another intriguing, time-challenging tome you can t wait to finish . . . while simultaneously wishing you might never reach its conclusion, dreading the end of another indescribable Murakami odyssey. The Christian Science Monitor
Some novelists hold a mirror up to the world and some, like Haruki Murakami, use the mirror as a portal to a universe hidden beyond it. . . . What can't be denied is Mr. Murakami's irresistible storytelling ability. He builds his self-contained world deliberately and faithfully, developing intrigue and suspense and even taking care to give each chapter a cliffhanger ending as in an old-fashioned serialized novel. The Wall Street Journal
No other author mixes domestic, fantastic and esoteric elements into such weirdly bewitching shades. . . . Just as he straddles barriers dividing high art from mass entertainment, so he suspends borders between east and west. Financial Times
Wild, thrilling. . . . Murakami is a master storyteller and he knows how to keep us hooked. The Sunday Times (London)
[Killing Commendatore] marks the return of a master. Esquire
More of Murakami s magical mist, but its size, beauty, and concerns with lust and war bring us back to the vividness and scale of his 1997 epic, The Wind-up Bird Chronicle. The Boston Globe
No ordinary trip; get ready for a wild ride. Entertainment Weekly
A perfect balance of tradition and individual talent. . . . Murakami dancing along the inky blackness of the Path of Metaphor is like Fred Astaire dancing across a floor, then up the walls and onto the ceiling. The Spectator
