"Intentions" is a collection of essays and dialogues written by the Irish playwright and author Oscar Wilde. First published in 1891, this work reflects Wilde's thoughts on various aspects of art, criticism, and aesthetics, and it plays a significant role in shaping his aesthetic philosophy.
Wilde argues that art should exist for its own sake rather than having a moral or didactic purpose. He champions the idea that art and beauty should not be constrained by utilitarian concerns. In one of the essays, "The Critic as Artist," Wilde explores the dynamic relationship between the artist, the critic, and the public. He suggests that the critic, rather than merely interpreting art, has a creative role in understanding and reshaping it.
The collection contains several other essays, including "The Decay of Lying," where Wilde famously champions the notion that "Life imitates Art far more than Art imitates Life." He challenges conventional ideas about realism in art and advocates for a more imaginative and idealized representation of life.
Wilde's wit and paradoxical thinking are prominent throughout "Intentions," making it not only a collection of aesthetic principles but also a delightful exploration of the relationships between art and society. These essays were highly influential in the late 19th century and continue to be studied for their insights into aesthetics, art, and the creative process.
In summary, "Intentions" by Oscar Wilde is a collection of essays and dialogues that expound Wilde's aesthetic philosophy, emphasizing the importance of art for art's sake and the creative role of the critic. It challenges conventional notions of realism in art and explores the interplay between art and life. Wilde's eloquent and paradoxical writing style adds a layer of intellectual and literary richness to the collection.
