'An Arden editor must present an overview of the play's criticism [and] must also take into account the play's ongoing dissemination through performance on stage and screen. Despite these arduous demands, Dusinberre's edition, with its editorial apparatus, its substantial introduction (142 pages), its notes, and its various appendices, fulfills the above requirements admirably. . . Dusinberre addresses a theatre history that bears witness to the impact that various social movements, especially feminism and gay/lesbian (and now queer) activism, have had on the performance of one of Shakespeare's most gender-bending plays. . . It inscribes the feminist, queer, and historicist criticism of the past thirty years into the historical memory of Shakespeare studies.' Shakespeare Quarterly
