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Blood Brothers

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"A new Student Edition of Willy Russell's enduring 1983 play offering accessible and vivid insights through a C21st lens. The commentary conveys how groundbreaking the play was at the time in representing working-class lives on stage, as well as explicitly critiquing the British class system. Alongside delving into the themes, dramatic devices, context and characters of the play, students are encouraged to consider what it must have been like to be at the very first performance; draw comparisons between life then and now; and develop their own creative projects based on the story"--

Inhaltsverzeichnis

Chronology

Commentary

Socio-political landscape: Britain under Margaret Thatcher
Themes: class and identity, family, nature v nurture, superstition v materialism, economic hardship (including strikes, debt, unemployment, cuts to the arts), fate
Characters: Mrs Johnston, Eddie, Mickey, Linda, Mrs Lyons
Dramatic devices: twins as framing device, monologue, the play as musical & rise of the mega-musical
Design: lighting, sounds, costume, set, props
Similar works (kitchen sink drama, working-class originated theatre& TV)
Willy Russell: other works
Production history, including first performance of the play in a classroom and Blood Brothers productions across the world (eg. South African production, 2013)

PLAYTEXT

Notes to the play

Produktdetails

Erscheinungsdatum
20. Februar 2025
Sprache
englisch
Auflage
2nd edition
Seitenanzahl
144
Autor/Autorin
Willy Russell
Herausgegeben von
Jenny Stevens, Chris Megson, Matthew Nichols, Sara Freeman
Verlag/Hersteller
Produktart
kartoniert
Gewicht
454 g
Größe (L/B/H)
198/129/25 mm
ISBN
9781350386198

Portrait

Willy Russell

Willy Russell is a playwright and songwriter, and one of the most-produced writers of his time. His plays and musicals for stage and TV including John, Paul, George, Ringo ... and Bert (1974), Breezeblock Park (1975), One for the Road (1976), Our Day Out (television 1977; stage musical version 1983), Stags and Hens (1978; filmed as Dancin' thru the Dark, 1990), Educating Rita (1979), Blood Brothers (1981; musical version 1983), and Shirley Valentine (1986).

Rebecca Hillman is Senior Lecturer at the University of Exeter, UK. Her research and teaching concerns performance as political activism and agitprop theatre. She focuses on theatre made by activists and trade unions in Britain since the 1960s.

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