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...A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in representation (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study. Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause. From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed...

Produktdetails

Erscheinungsdatum
08. Mai 2008
Sprache
englisch
Seitenanzahl
164
Reihe
Dover Thrift Editions: Plays
Autor/Autorin
Richard Brinsley Sheridan
Verlag/Hersteller
Produktart
kartoniert
Gewicht
320 g
Größe (L/B/H)
235/191/9 mm
ISBN
9781605977010

Portrait

Richard Brinsley Sheridan

Richard Brinsley Sheridan (1751-1816) was an Irish playwright, poet, and politician, renowned for his sharp wit and enduring contributions to English theatre. His works, particularly his comedies, are celebrated for their clever dialogue, engaging characters, and satirical critique of 18th-century society. Born on October 30, 1751, in Dublin, Ireland, Sheridan was the son of Thomas Sheridan, an actor and educator, and Frances Sheridan, a novelist and playwright. He was educated at Harrow School in London, where he developed his interest in literature and drama. Sheridan's first major success came with "The Rivals" (1775), a comedy that remains a staple of English theatre. He followed this with "St. Patrick's Day" (1775) and "The Duenna" (1775), a comic opera that was highly successful in its time. His most famous play, "The School for Scandal" (1777), is a brilliant satire on the gossip and hypocrisy of high society. It solidified his reputation as one of the leading playwrights of his era. Sheridan also wrote "The Critic" (1779), a satire on the theatrical world and the critics who influence it. Sheridan's plays have endured for their clever humor, insightful social commentary, and memorable characters. His works are still performed regularly and studied in literature and theatre courses. "The School for Scandal" and "The Rivals" remain his most famous and frequently performed plays, showcasing his talent for comedy and satire. Sheridan's influence extends beyond literature to politics and theatre management, making him a multifaceted figure in British cultural history.

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