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Ninety-Three

A Historical Novel

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Ninety-Three is a historical novel built upon "a sort of enigma," which was at that date (1793) laid before revolutionary France: "Can a good action be a bad action? Does not he who spares the wolf kill the sheep?" This question meets with one answer after another during the course of the book. --- The interest of the novel centres about revolutionary France; just as the plot is an abstract judicial difficulty, the hero is an abstract historical force. And this has been done, not as it would have been before, by the cold and cumbersome machinery of allegory, but with bold, straightforward realism, dealing only with the objective materials of art, and dealing with them so masterfully that the palest abstractions of thought come before us, and move our hopes and fears, as if they were the young men and maidens of customary romance. --- Ninety-Three is full of pregnant and splendid sayings. It is equal to anything that Victor Hugo has ever written. (Robert Louis Stevenson)

Produktdetails

Erscheinungsdatum
01. Juni 2008
Sprache
englisch
Seitenanzahl
312
Autor/Autorin
Victor Hugo
Herausgegeben von
Andrew Moore
Verlag/Hersteller
Produktart
kartoniert
Gewicht
442 g
Größe (L/B/H)
216/140/18 mm
Sonstiges
Paperback
ISBN
9781595690920

Portrait

Victor Hugo

Victor Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, and dramatist of the Romantic movement. He is considered one of the greatest and best-known French writers. In France, Hugo's literary fame comes first from his poetry and then from his novels and his dramatic achievements. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem. Outside France, his best-known works are the novels Les Misérables, 1862, and Notre-Dame de Paris, 1831 (known in English as The Hunchback of Notre-Dame). He produced more than 4,000 drawings, which have since been admired for their beauty. He also earned widespread respect as a campaigner for social causes such as the abolition of capital punishment.

Though a committed royalist when he was young, Hugo's views changed as the decades passed, and he became a passionate supporter of republicanism; his work touches upon most of the political and social issues and the artistic trends of his time. He is buried in the Panthéon. His legacy has been honoured in many ways, including his portrait being placed on French franc banknotes.

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