Brecht on Theatre

This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing. Here, arranged in chronological order, are essays from 1918 to 1956, in which Brecht explores his definition of the Epic Theatre and his theory of alienation-effects in directing, acting, and writing, and discusses, among other works, The Threepenny Opera, Mahagonny, Mother Courage, Puntila, and Galileo. Also included is "A Short Organum for the Theatre," Brecht's most complete exposition of his revolutionary philosophy of drama.

Translated and edited by John Willett, Brecht on Theater is essential to an understanding of one of the twentieth century's most influential dramatists.

Introduction

PART ONE 1918-1982
Frank Wedekind
A Reckoning
Emphasis on Sport
Three Cheers for Shaw
Conversation with Bert Brecht
A Radio Speech
Shouldn't we Abolish Aesthetics?
The Epic Theatre and its Difficulties
Last Stage: Oedipus
A Dialogue about Acting
On Form and Subject-Matter
An Example of Paedagogics
The Modem Theatre is the Epic Theatre
The Literarization of the Theatre
The Film, the Novel and Epic Theatre
The Radio as an Apparatus of Communication
The Question of Criteria for Judging Acting
Indirect Impact of the Epic Theatre

PART TWO 1988-1947
Interview with an Exile
Theatre for Pleasure or Theatre for Instruction
The German Drama: pre-Hitler
Criticism of the New York Production of Die Mutter
On the Use of Music in an Epic Theatre
Alienation Effects in Chinese Acting
Notes to Die Rundköpfe und die Spitzköpfe
On Gestic Music
The Popular and the Realistic

CONTENTS
On Rhymeless Verse with Irregular Rhythms
The Street Scene
On Experimental Theatre
New Technique of Acting
Two Essays on Unprofessional Acting
Notes on the Folk Play
Alienation Effects in the Narrative Pictures of the Elder Brueghel
A Little Private Tuition for my Friend Max Gorelik
Building up a Part: Laughton's Galileo
'Der Messingkauf': an editorial note

PART THREE 1947-1948
A Short Organum for the Theatre

PART FOUR 1948-1966
Masterful Treatment of a Model
From the Mother Courage Model
Does Use of the Model Restrict the Artist's Freedom?
Formal Problems Arising from the Theatre's New Content
Stage Design for the Epic Theatre
From a Letter to an Actor
Some of the Things that can be Learnt from Stanislavsky
Theaterarbeit: an editorial note
Notes on Erwin Strittmatter's Play Katzgraben
Study of the First Scene of Shakespeare's Coriolanus
Cultural Policy and Academy of Arts
Conversation about being Forced into Empathy
Classical Status as an Inhibiting Factor
Can the Present-day World be Reproduced by Means of Theatre?
Appendices to the 'Short Organum'
'Dialectics in the Theatre': an editorial note
Our London Season

Other English Translations
Index