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Scenes from a Childhood

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Scenes from a Childhood is the latest collection of stories by Jon Fosse, one of Norway's most celebrated authors and playwrights, famed for the minimalist and unsettling quality of his writing. In the title work, a loosely autobiographical narrative covers infancy to awkward adolescence, unearthing the moments of childhood that linger longest in the imagination. In 'And Then My Dog Will Come Back To Me', a haunting and dream-like novella, a dispute between neighbours escalates to an inexorable climax. Taken from various sources, the texts gathered here together for the first time demonstrate that the

short story is one of the recurrent modes of Fosse's imagination, and occasions some of his greatest works.
The pieces collected here span the entire career of the celebrated Norwegian author and playwright, showing a developing mastery of minimalism put to unsettling effect. The dream-like novella "And Then My Dog Will Come Back To Me" is included here.

Produktdetails

Erscheinungsdatum
25. April 2018
Sprache
englisch
Seitenanzahl
152
Autor/Autorin
Jon Fosse
Übersetzung
Damion Searls
Verlag/Hersteller
Produktart
kartoniert
Gewicht
213 g
Größe (L/B/H)
198/128/17 mm
ISBN
9781910695531

Portrait

Jon Fosse

Jon Fosse was born in 1959 on the west coast of Norway and is the recipient of countless prestigious prizes, both in his native Norway and abroad. Since his 1983 fiction debut, Raudt, svart [Red, Black], Fosse has written prose, poetry, essays, short stories, children's books, and over forty plays, with more than a thousand productions performed and translations into fifty languages. Septology, his latest prose work, will be published in three volumes by Fitzcarraldo Editions, starting in 2019.

Damion Searls is a translator from German, Norwegian, French, and Dutch and a writer in English. He has translated many classic modern writers, including Proust, Rilke, Nietzsche, Walser, Ingeborg Bachmann, Alfred Döblin, Jon Fosse, Elfriede Jelinek, and Nescio.

Pressestimmen

"The Beckett of the twenty-first century." (Le Monde)

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