Rich in river imagery and an intense sense of the passage of time, The Wash explores the incessant music that permeates journeys with a destination unknown. The poems depict a landscape of loss in which language and images provide the only concrete platform on which to stand. Playing a lyrical voice against the limits of silence, Adam Clay's The Wash uncovers the voices that can be made, and heard, in and out of nature.
Adam Clay's poems have appeared in Denver Quarterly, The Iowa Review, Barrow Street, Black Warrior Review, Fascicle, CutBank, The New Orleans Review, Conduit, Octopus Magazine, Free Verse, and elsewhere. A chapbook, Canoe, is available from Horse Less Press. Born and raised in Mississippi, he holds an MFA from the University of Arkansas and an MA from The Center for Writers at The University of Southern Mississippi.
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