Afrocubanismo and Artistic Revolution in Havana, 1920-1940
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Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba. It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.
Robin Moore is an associate professor in the School of Music at the University of Texas at Austin. Ê He has received awards including fellowships from the Rockfeller Foundation, the MacArthur Foundation, and the National Humanities Center and is currently editor of the Latin American Music Review. His written work includesÊarticles in theÊCuban Studies, Ethnomusicology , Encuentro de la cultura cubana, and other journals and book anthologies.
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