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The Black Eyed Blonde

A Philip Marlowe Novel

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The new Philip Marlowe mystery from the Booker Prize winning John Banville, writing as Benjamin Black
Maybe it was time I forgot about Nico Peterson, and his sister, and the Cahuilla Club, and Clare Cavendish. Clare? The rest would be easy to put out of my mind, but not the black-eyed blonde . . .
It is the early 1950s. In Los Angeles, Private Detective Philip Marlowe is as restless and lonely as ever, and business is a little slow. Then a new client arrives: young, beautiful, and expensively dressed, Clare Cavendish wants Marlowe to find her former lover, a man named Nico Peterson.
Soon Marlowe will find himself not only under the spell of the Black-Eyed Blonde; but tangling with one of Bay City's richest families - and developing a singular appreciation for how far they will go to protect their fortune . . .
'A beautifully rendered hardboiled novel that echoes Chandler's melancholy at perfect pitch' Stephen King'An exceptionally effective act of literary ventriloquism and entirely irresistible' Observer
'First-rate noir . . . It's remarkable how fresh this book feels while still hewing close to the material on which it's based' New York Times

Produktdetails

Erscheinungsdatum
18. Februar 2015
Sprache
englisch
Seitenanzahl
304
Reihe
Philip Marlowe
Autor/Autorin
Benjamin Black
Verlag/Hersteller
Produktart
kartoniert
Gewicht
220 g
Größe (L/B/H)
197/131/30 mm
ISBN
9781447236702

Portrait

Benjamin Black

Benjamin Black is the pen name of acclaimed author John Banville, who was born in Wexford, Ireland, in 1945. His novels have won numerous awards, including the Man Booker Prize for The Sea. He lives in Dublin. Benjamin Black is the author of the Quirke series which has been adapted for BBC television, starring Gabriel Byrne, and The Black Eyed Blonde, now a major film starring Liam Neeson.

Pressestimmen

Somewhere Raymond Chandler is smiling, because this is a beautifully rendered hardboiled novel that echoes Chandler's melancholy at perfect pitch. The story is great, but what amazed me is how John Banville caught the cumulative effect Chandler's prose had on readers. It's hard to quantify, but it's also what separated the Marlowe novels from the general run of noir (which included some damn fine novelists, like David Goodis and Jim Thompson). The sadness runs deep. I loved this book. It was like having an old friend, one you assumed was dead, walk into the room. Kind of like Terry Lennox, hiding behind those drapes. Stephen King

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