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Pornography is Simon Stephens' stark and shattering new play that powerfully captures a portrait of a fractured, insecure Britain.
Written in reaction to London crashing from the euphoria and promise at being awarded the 2012 Olympics into the chaos and reality of the 7/7 bombings, the play is composed of seven stories that serve as a countdown to the catastrophic attack on London. Each playlet focuses on a different individual dramatising their life in the run-up to the tragedy.
Published to coincide with the English language premiere at the Traverse Theatre in August as part of the International Edinburgh Festival before transferring to the Birmingham Rep, this is the first stage play to confront the London bombings of 7 July 2005.
Written in reaction to London crashing from the euphoria and promise at being awarded the 2012 Olympics into the chaos and reality of the 7/7 bombings, the play is composed of seven stories that serve as a countdown to the catastrophic attack on London. Each playlet focuses on a different individual dramatising their life in the run-up to the tragedy.
Published to coincide with the English language premiere at the Traverse Theatre in August as part of the International Edinburgh Festival before transferring to the Birmingham Rep, this is the first stage play to confront the London bombings of 7 July 2005.
Produktdetails
Erscheinungsdatum
24. November 2008
Sprache
englisch
Seitenanzahl
80
Autor/Autorin
Simon Stephens
Verlag/Hersteller
Produktart
kartoniert
Gewicht
89 g
Größe (L/B/H)
198/131/15 mm
ISBN
9781408110560
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Pressestimmen
'To call Simon Stephen's Pornography specifically a play about the July 7 bombings in London would be to do it a disservice. Though it deals with events leading up to the atrocities oft hat fateful day, this is unmistakeably a state of the nation play in the fullest sense. One which looks at what it means to be British today and the culture of displacement we live in with soulful mourning.' Alan Chadwick, Metro (London), 5.8.08 'Stephens, who has already written the best play of the year (Harper Regan, at the National) has come up with another cracker - one that searches for new forms to say new things. He observes his characters with an almost forensic detachment and yet he makes us love them, too... This is a play of grace and terror.' Lyn Gardner, Guardian, 5.8.08 'In Simon Stephens' new play the build up of everyday detritus of contemporary mass culture, from coffee brands to the disposable, detached sexuality of pornography, is insidious.' Steve Cramer, List, 7.8.08