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Secondhand Souls

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It seems like only yesterday that Charlie Asher took on a very dirty job— collecting souls and keeping the Forces of Darkness at bay. The new gig came with the Big Book of the Dead and a host of other oddities: creatures under the streets, an evil trinity of ravenlike Celtic death goddesses, and one very bad Underworld dude attempting to conquer humanity. Charlie faced off against these denizens of darkness— and met his own end. But thanks to Audrey, his Buddhist-nun boo, his soul is still alive . . . inside a fourteen-inch-high body made from lunchmeat and spare animal parts. Waiting for Audrey to find him a suitable new body to play host, Charlie has squirreled himself away from everyone, including his seven-year-old daughter, Sophie, who enjoys being the Luminatus— spouting off about her power over the Underworld and her dominion over Death.
Then some really freaky stuff hits San Francisco. People are dying, but their souls are not being collected. Someone— or something— is stealing them and no one knows where they are going, or why, but it has something to do with that big orange bridge.
To get to the bottom of this abomination, Charlie and a motley crew of heroes will band together. And with little Sophie babbling about the coming battle for the very soul of humankind, time is definitely not on their side. . . .

Produktdetails

Erscheinungsdatum
10. Mai 2016
Sprache
englisch
Seitenanzahl
368
Autor/Autorin
Christopher Moore
Verlag/Hersteller
Produktart
kartoniert
Gewicht
274 g
Größe (L/B/H)
203/136/25 mm
ISBN
9780061779794

Portrait

Christopher Moore

Christopher Moore is the author of seventeen previous novels, including Shakespeare for Squirrels, Noir, Secondhand Souls, Sacré Bleu, Fool, and Lamb. He lives in San Francisco, California.

Pressestimmen

"Writing should be fun. [Moore] takes that to a whole new level. . . . weird, expletive-laden, wildly entertaining . . . the perfect palate cleanser before the fall's literary entrées. . . . You just can't make this stuff up. But Chrisopher Moore can." Washington Post

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