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Wind / Pinball

Hear the Wind Sing and Pinball, 1973 (Two Novels)

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The first two short novels--never before widely available in the U.S.--by the internationally acclaimed writer, newly translated, in one volume, with a new introduction by the author.
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Wind/Pinball, a unique two-in-one volume, includes, on one side, Murakami's first novel Hear the Wind Sing. When you flip the book over, you can read his second novel, Pinball, 1973. Each book has its own stunning cover.

In the spring of 1978, a young Haruki Murakami sat down at his kitchen table and began to write. The result: two remarkable short novels-Hear the Wind Sing and Pinball, 1973-that launched the career of one of the most acclaimed authors of our time.

These powerful, at times surreal, works about two young men coming of age-the unnamed narrator and his friend the Rat-are stories of loneliness, obsession, and eroticism. They bear all the hallmarks of Murakami's later books, and form the first two-thirds, with A Wild Sheep Chase, of the trilogy of the Rat.

Widely available in English for the first time ever, newly translated, and featuring a new introduction by Murakami himself, Wind/Pinball gives us a fascinating insight into a great writer's beginnings.

Produktdetails

Erscheinungsdatum
03. Mai 2016
Sprache
englisch
Seitenanzahl
256
Autor/Autorin
Haruki Murakami
Übersetzung
Ted Goossen
Verlag/Hersteller
Produktart
kartoniert
Gewicht
260 g
Größe (L/B/H)
204/130/22 mm
ISBN
9780804170147

Portrait

Haruki Murakami

HARUKI MURAKAMI was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera, and V. S. Naipaul.

Pressestimmen

More than anyone, Haruki Murakami invented 21st-century fiction. . . . He is the novelist of our mash-up epoch. . . . Murakami s atomic sensibility characterizes world literature."  The New York Times Book Review

Powerful, unsettling, mature novels. . . . Murakami gives his characters' quirks a humanizing legitimacy. Chicago Tribune
 
Early Murakami isn t Murakami-in-the-making, it s already and entirely Murakami. The Guardian
 
Both books have that unique blend of melancholy and beauty that Murakami manages so well; they are mysterious, moreish. . . . What stands out . . . is the writing, beautiful in its simplicity, and also the deadpan humour and one-liners. . . . The dialogue is sparklingly clever, drunkenly witty. The Independent

A fresh, heart-warming dose of the Japanese master. . . . Signals that would become familiar in Mr Murakami s fiction make an early appearance: characters alienated by society and afflicted by loneliness and ennui; quotidian detail that is, by turn, banal and fascinating; musical references; supernatural undertones; dark dreams and black humour. The Economist
 
Murakami's trademark postmodernist flourishes abound . . . and never fail to surprise and delight. O, The Oprah Magazine

Short, darkly magical coming-of-age tales. Elle
 
Indispensable. . . . There is evidence of the themes, motifs and yes, obsessions, that would come to infuse his later books. The Free Lance-Star (Fredericksburg)
 
An invaluable addition to the canon. Toronto Star
 
A great treat both for Murakami enthusiasts and for the more casually interested reader. . . . A pair of early literary excursions that are never less than insightful and intelligent; brisk and diverting; unusual and transporting. The National (UAE)
 
The writing and, above all, Murakami s way of making emotionally resonant images and symbols bump around on the page, and in one s mind, remains fresh, miraculously, more than 35 years on. Evening Standard

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